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Cambodia architecture has been well known in South East Asia and it is derived from Angkor’s architects and sculptors created stone temples that symbolized the cosmic world and decorated them with wall carvings and sculptures of Hindu gods and the Buddha.
To ensure order and harmony in the universe, Religious guidelines dictated that a basic temple layout include a central shrine, a courtyard, an enclosing wall, and a moat. More than 60 of these temple complexes survive in the Angkor region. In addition, several stone bridges and reservoirs built in the Angkor period are still in use. Many Cambodian public buildings, such as the Royal Palace in Phnom Penh, are decorated in the Khmer architectural style and use motifs such as the garuda, a mythical bird in the Hindu religion.
After the devastation of culture in the Khmer Rouge era, the traditional arts and handicrafts of Cambodia are reviving. Notable among these traditional arts are textiles, silver work, basketry, woodcarving, stone sculpture, and painting. Artisans use cotton to weave the krama, a rectangular scarf made in colorful checks and stripes, and the sampot, a skirt for women. Beautiful silk sampots with elaborate, multicolored patterns, often entwined with gold or silver thread, are woven using the ikat technique, in which each individual thread is tied. Cambodia’s long tradition of metal work nearly disappeared, but the French revived it in the early 20th century. Silversmiths produced popular items of the period, such as animal-shaped boxes, intricately decorated, that were used to hold the ingredients of a preparation known as betel, which is chewed as a stimulant and tonic.